For digital content, the Shanghai Museum's East Gallery, drawing on its collection resources, selected 15 works by 12 landscape masters, including Dong Yuan and Ju Ran, from hundreds of paintings and calligraphy works. The exhibition also created digital portraits of 16 of the most influential Southern School landscape painters in Chinese painting history. Visitors can follow the perspective of "Digital Dong Qichang" on a journey through Jiangnan literati painting from five dynasties.
During the performance, the excellent dark environment provided an excellent stage for the projector. To match the style and quality expected of the Museum's exhibits, the 8,000-lumen high-brightness laser projector was used. The dynamic contrast ratio of 25,000:1 vividly portrayed the rich layers and details of the images, while the harmonious interplay of light and dark further highlighted the spirit and energy of these ancient masters.
Aside from the visuals themselves, the entire exhibition space is relatively compact. The audience's close proximity to the images further enhances the sense of envelopment in the virtual space and the immersive experience.
Furthermore, the projection area within the exhibition space features a sinuous, undulating curved surface design, which not only heightens the three-dimensionality of the digital content but also incorporates ingenious "easter egg" elements, adding a touch of "surprise" to the already high-quality content.
Finally, "Shanshui Jiangnan" offers ample entertainment for the audience. Beyond the winding main visual screen, the auditorium floor also changes in sync with the content. For an excellent lighting and shadow space, this design not only caters to the immersive setting but also creates a seamless experience for the audience, ensuring a fresh experience every time they look around. High-quality engineering projectors project stunning images onto the venue's velvety carpet, ensuring a consistent sense of immersion.
"Shanshui Jiangnan," which "combines the strengths of various companies," has been highly praised thanks to the customized projection technology. This might be the first stop for visitors coming to the Shanghai Museum, but after a visit, I'm confident it won't be their final stop.
Thanks to the meticulous digital content design, well-planned exhibition space, and high-quality visual presentation, "Shanshui Jiangnan" truly lives up to its title as the first in a series of digital exhibitions showcasing masterpieces of ancient Chinese art. For the Shanghai Museum's East Hall, "Shanshui Jiangnan" is undoubtedly a highly visible promotional feature. As visitors flock to the exhibition, inspired by the "public check-in" trend, the exceptional quality of the exhibition immediately distinguishes "Shanghai Museum productions" from the "commonplace," paving the way for the influx of interest and emotional value into other exhibition areas in the East Hall.
As the saying goes, "a good horse deserves a good saddle." In this high-level dialogue of knowledge and culture for the general public, imaging, as the "choice of our times," plays a crucial role. Although I've already seen "Shanshui Jiangnan," I'm certain that this exhibition, a stepping stone to imaging, will surely spread across the vast landscape of Jiangnan! The future is bright, and I wish you all the best...
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